It is time once again for a Top 100 Films of All-Time list. The film listed here were randomly selected from a consideration set of 310 films . The order is also randomized.

My Left Eye Sees Ghosts (Johnnie To & Wai Ka-fai, 2002)
Reds (Warren Beatty, 1981)
Hellzapoppin’ (HC Potter, 1941)
It’s the Great Pumpkin, Charlie Brown (Bill Melendez, 1966)
Last Life in the Universe (Pen-Ek Ratanaruang, 2003)
Pat Garrett & Billy the Kid (Sam Peckinpah, 1973)
The Killer (John Woo, 1989)
A Day in the Country (Jean Renoir, 1936)
The Lion in Winter (Anthony Harvey, 1968)
Mother! (Darren Aronofsky, 2017)

Broadcast News (James L. Brooks, 1987)
Titanic (James Cameron, 1997)
The Rules of the Game (Jean Renoir, 1939)
Duck Soup (Leo McCarey, 1933)
Certified Copy (Abbas Kiarostami, 2010)
What’s Opera, Doc? (Chuck Jones, 1957)
Original Cast Album: Company (DA Pennebaker, 1970)
The Love Eterne (Li Han-hsiang, 1963)
One Froggy Evening (Chuck Jones, 1955)
Journey to the West (Tsai Ming-liang, 2014)

The Wind that Shakes the Barley (Ken Loach, 2006)
Les amants du Pont-Neuf (Leos Carax, 1991)
Meek’s Cutoff (Kelly Reichardt, 2010)
News from Home (Chantal Akerman, 1977)
The Gang’s All Here (Busby Berkeley, 1943)
Meet Me in St Louis (Vincente Minnelli, 1944)
The Big Red One (Samuel Fuller, 1980)
They Were Expendable (John Ford, 1946)
Duvidha (Mani Kaul, 1973)
The Bellboy (Jerry Lewis, 1960)

Early Summer (Ozu Yasujiro, 1951)
Three Times (Hou Hsiao-hsien, 2005)
Rouge (Stanley Kwan, 1987)
The Philadelphia Story (George Cukor, 1940)
The Manchurian Candidate (John Frankenheimer, 1962)
Yourself & Yours (Hong Sangsoo, 2016)
The Lady Eve (Preston Sturges, 1941)
Bound for the Fields, the Mountains, and the Seacoast (Obayashi Nobuhiko, 1986)
8 Diagram Pole Fighter (Lau Kar-leung, 1984)
Intolerance (DW Griffith, 1916)

Seven Samurai (Kurosawa Akira, 1954)
The Terrorizers (Edward Yang, 1986)
City on Fire (Ringo Lam, 1987)
Last of the Mohicans (Michael Mann, 1992)
Tropical Malady (Apichatpong Weerasethakul, 2004)
Robin and Marian (Richard Lester, 1976)
Zulu (Cy Endfield, 1964)
Japanese Girls at the Harbor (Shimizu Hiroshi, 1933)
Drive My Car (Hamaguchi Ryusuke, 2021)
Beau travail (Claire Denis, 1999)

The Young Girls of Rochefort (Jacques Demy, 1967)
Made in Hong Kong (Fruit Chan, 1998)
Morocco (Josef von Sternberg, 1930)
Xiao Wu (Jia Zhangke, 1997)
Don’t Look Back (DA Pennebaker, 1967)
The Good, the Bad, & the Ugly (Sergio Leone, 1966)
Fire Walk with Me (David Lynch, 1992)
The Quiet Man (John Ford, 1952)
Kiss Me Kate (George Sydney, 1953)
Pierrot le fou (Jean-Luc Godard, 1965)

Cat People (Jacques Tourneur, 1942)
Only Angels Have Wings (Howard Hawks, 1938)
Miami Vice (Michael Mann, 2006)
Choose Me (Alan Rudolph, 1984)
Time and Tide (Tsui Hark, 2000)
Om Shanti Om (Farah Khan, 2007)
The Harder they Come (Perry Henzell, 1972)
Rock n Roll High School (Allan Arkush, 1979)
Liz and the Blue Bird (Yamada Naoko, 2018)
Jazz on a Summer’s Day (Aram Avakian & Bert Stern, 1959)

Heat (Michael Mann, 1995)
Green Snake (Tsui Hark, 1993)
Yearning (Naruse Mikio, 1964)
Shanghai Blues (Tsui Hark, 1984)
Out of the Past (Jacques Tourneur, 1947)
Metropolitan (Whit Stillman, 1990)
Bull Durham (Ron Shelton, 1988)
Speed Racer (Lana & Lilly Wachowski, 2008)
The Music Room (Satyajit Ray, 1958)
Ace Attorney (Miike Takashi, 2012)

The Third Man (Carol Reed, 1949)
Linda Linda Linda (Yamashita Nobuhiro, 2005)
F for Fake (Orson Welles, 1973)
The Last Days of Disco (Whit Stillman, 1998)
Jaws (Steven Spielberg, 1975)
Phantoms of Nabua (Apichatpong Weerasethakul, 2009)
Vertigo (Alfred Hitchcock, 1958)
The Birds (Alfred Hitchcock, 1962)
Hero (Zhang Yimou, 2002)
A Brighter Summer Day (Edward Yang, 1991)

The Docks of New York (Josef von Sternberg, 1928)
Inherent Vice (Paul Thomas Anderson, 2014)
Amanda (Mikhaël Hers, 2018)
His Motorbike, Her Island (Obayashi Nobuhiko, 1986)
Mughal-e-azam (K. Asif, 1960)
La Commune (Paris, 1871) (Peter Watkins, 2000)
Fat Choi Spirit (Johnnie To & Wai Ka-fai, 2002)
The Day He Arrives (Hong Sangsoo, 2011)
Once Upon a Time in China (Tsui Hark, 1991)
Dirty Ho (Lau Kar-leung, 1979)